The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years.At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with.But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood.I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential.by D.R. [email protected]收起

在线观看

倒序

切换节点

播放节点列表

ik播放器12

量子资源11

红牛在线13

豆瓣在线5

火狐资源213

HW资源3

选集排序

HD中字

选集排序

第01集第02集第03集第04集第05集

选集排序

01 02 03

相关影片

2011电影法国

夜幕下的故事

朱利安·贝朗米斯马里内·格里泽米歇尔·伊莱亚斯奥利维耶·克拉弗里伊莎贝尔·嘉德伊夫·巴萨克

这是一部由六个“枕边故事”组合而成的剪影动画。夜幕下，老人、男孩和女孩三个人聚在一起，一个负责美工，一个设计服装，一个撰写剧情，一个个奇妙的故事就此诞生。　　“狼人的故事”，讲述了月圆之夜会化身成

夜幕下的故事

正片

2004电影美国

金赛性学教授

连姆·尼森劳拉·琳妮克里斯·奥唐纳

美国印第安纳大学的教授阿尔弗莱德·金赛（连姆·尼森饰）在1939年发表了震惊世界的《金赛性学报告》，这部迄今为止最为完整和坦率的性生态学调查的学术基础，是面谈了12000名美国人的惊人工作量在金赛对学

金赛性学教授

正片

1997电影美国

惊声尖叫2

内芙·坎贝尔杰米·肯尼迪柯特妮·考克斯列维·施瑞博尔贾达·萍克·史密斯海瑟·格拉汉姆莎拉·米歇尔·盖拉卢克·威尔逊

血雨腥风再度向温莎学院袭来！一对儿学生情侣在观看恐怖电影时被头套面具的凶徒当众杀死，而台下观众在案发时以为是电影造成的一场玩笑而无人制止。另一方面，希德妮（内芙.坎贝尔 Neve Campbell 饰）现在已经是克兹镇上的知名人物，在卡顿维瑞因魏盖尔的新书无罪释放后，媒体和警方再次将注意力集中在希德妮身上。同时，面具杀人狂再次大开杀戒，而神秘的电话也继续纠缠希德妮和她身边的人。　　一时间，打大家再次陷入了对未知凶手的恐慌中，而希德妮的男友德瑞克，看上去颇为符合凶手暴露的蛛丝马迹。究竟，面具杀人狂的真身是谁

惊声尖叫2

正片